The Truth about A​       
A contemporary re-imagining of the myth of Antigone         Publishishing release date September 2017
                                                                                                               (Ginninderra Press)

The Truth about A.


In his interpretation of Antigone, Seamus Heaney says, ‘Nobody can be sure they are always right.’ The Truth about A, further attends to this idea through various readings of the myth as portrayed by Sophocles, Brecht, Ted Hughes, Anne Carson, and most particularly Euripides. Set in contemporary Sydney, among a fictional underworld family, The Truth about A considers not only the issue of whether to obey the law or your conscience, but strikes at the heart of the nature of the creative impulse and the eternal bonds and chasms between generations. Antigone, daughter of Oedipus and Jocasta, sister to Ismene, Eteokles and Polyneices, provokes the fury of the crime-overlord Creon with her profound sense of honour, family and duty. But this spirit of defiance discharges questions infinitely more complex than the brute facts of power and order, engendering a meditation on justice, ethics, and personal judgment.
    
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Past Work:
     
Lakeland
 published November 2015  (Ginninderra Press)     
   
                   
                        Stand too close to horror, and you get fixation, paralysis,
                        engulfment; stand too far, and you get voyeurism or forgetting.
                        Distance matters.
 
                         EVA HOFFMAN
                        After Such Knowledge
                                                                    
 
                                   
 
   
Lakeland is a hybrid novel, a fictional recreation told in prose and verse of multiple characters in one family. Inspired by real events, the story moves in and out of Nazi Germany, across hemispheres and through generations of exile and emigration to explore one of history’s big questions, how to make sense of the actions of ordinary people under a regime whose unspeakable deeds ensured there were no longer any ordinary people?     
      
 
In the first years of the twentieth century, Anna, a young unmarried middle-class woman, gives birth to twins. While she keeps her son, her daughter Helene is raised by the state and later ‘adopted’ by her aunt so as to be allowed to marry Hans, a Prussian industrialist. Hans is captured by the Russians in 1945 and imprisoned near Leningrad, where he dies in a gulag. Helene twice flees with her children, first to the Communist East, then to West Germany. In the early 60’s her daughter, Sieglinde, makes her way to Australia, where she has a family of her own; seven children who know little of their mother’s past.
    
    
The many voices build a kind of collective memoir dealing with family relationships, the stories we tell ourselves, the passing of time, and the link between history, imagination and memory. In Lakeland, as with other multiple format books like Virginia Woolf’s Orlando, William Carlos William’s Paterson and Michael Ondaatje’s Running in the Family, there is a counterpoint between the intimate/domestic and its point of contact with the world at large. The ‘Sees’ ­– the lakes – with a different meaning for each character, act as a bond, a motif for the ways in which we experience and give shape to what we may conceal, but can never escape.
 
 
 
 
 
 
 
 
 
Available through Amazon, Ginninderra Press , Book Depository and selected bookstores.